In a cinematic career spanning more than half a century, France has undoubtedly been the only country with which Sri Lanka’s legendary film director Dr. Lester James Peries has had a long and fertile relationship, one that has enriched both his personal and professional lives.
The story began when he took his first film Rekawa (The Line of Destiny, 1956) to the 1956 Cannes Film Festival and his meeting with the 21 year-old Sumitra Gunawardena who became his wife eight years later.
Lester James Peries has the distinction of being the only Sri Lankan filmmaker who has had not one, but five of his films screened at the Mecca of World Cinema – the Cannes Film Festival. After Rekawa were Beddegama (The Village in the Jungle, 1981) and Kaliyugaya (The Age of Kali, 1982).
In 2003, Cannes screened Wekande Walauwwa (The Mansion by the Lake, 2001) out of competition as a special tribute to his lasting contribution to Asian and world cinema.
Then again in 2008 Gamperaliya (The Changing Village, 1964) was screened at Cannes as a part of the classics of world cinema.
Over the years, France has hosted countless retrospectives of his films. During the summer of 1971 the highly respected and prestigious Cinemathèque Française in Paris held a retrospective of seven of his films. This august institution has been the spiritual home to a host of international filmmakers including Lester James and Sumitra Peries.
In 1984 more honour and recognition were bestowed on him by France when the Festival de la Rochelle paid homage to him.
In 1988 came more honours from the Cinemathèque Française in the form of a highly acclaimed joint retrospective of the entire body of work of Lester James and Sumitra Peries. They were both made honorary life members of this celebrated institution. Small wonder then that Nidhanaya (The Treasure, 1970) is today part of the Cinemathèque’s collection of the classics of world cinema.
The same year, the Festival of the Three Continents in Nantes, celebrating its tenth anniversary, heaped more honours on him. It recognised him as “one of the few best filmmakers of the three continents” (Asia, Africa, and Latin America). “This was a very satisfying experience because Nantes specialises in Asian, African and Latin American cinema,” he said. Here again it was Beddegama which took top honours.
In 1992, the 45th Cannes International Film Festival invited Lester James to serve as a member of its jury, presided over by legendary French actor Gerard Depardieu. Fellow members of the jury included John Boorman, Pedro Almodovar, Jamie Lee Curtis and Carlo de Palma among others.
“That experience was one of great jubilation, one of real happiness, of being recognised at least to be worthy of being a member, it is in itself a great honour,” he recalled.
From 1995 to 1999 Lester James Peries was compulsorily (and he loved it) stationed in Paris when Sumitra was Sri Lanka’s Ambassador Extraordinaire and Plenipotentiary for France and Spain. She was also Sri Lanka’s Ambassador and permanent delegate to UNESCO during this period.
It was during this time that the Government of France bestowed on him one of its highest national honours – “Commander dans l’Ordre des Arts et Lettres” – in recognition of his contribution to Asian and world cinema.
This is the greatest honour France has ever bequeathed on any Sri Lankan to date. The date chosen for the ceremony was 19 June 1997, their 33rd wedding anniversary and the venue was the BMICH. They made a special trip from Paree to be present at this glamorous event. The Sri Lanka film industry’s glitterati were there in full force as was the media.
Chandrika Kumaratunga was President at that time. I remember her discreetly slipping in and taking her seat that evening. She had wanted to be present as a “private citizen” and not as the President of Sri Lanka. Lester James was visibly touched. After all, he had been an attesting witness at her marriage to Vijaya Kumaratunga years prior.
And as the Ambassador of France to Sri Lanka Elisabeth Dahan placed the ribbon and medal around his neck, there was thunderous applause. The entire audience rose to its feet in salutation. Lester bowed his head in humble acknowledgement.
“My links with France have been spread over a long period of time. The most striking thing in my career is my relationship with France. If one goes through the coincidences of what has been happening, one would not believe the many things that have happened. All have been like a recurring theme, a recurring motif in a musical symphony. And that is the strangest thing,” he said.
Soon after and much to the couple’s surprise a large cake bearing 33 candles was wheeled in. Being at the podium that evening I requested them to cut it. They obliged. I then requested S.H.E to feed the first piece to H.E. (see Chapter 13). Madame l’Ambassadeur Peries blanched in embarrassment and refused. She finally had no choice but to finally concede since the mic was with me and everyone heard my repeated requests. Bonsoir was as usual there in full force to capture every moment and share it with our thousands of viewers across Sri Lanka the following Monday.
“The Bonsoir Diaries” by Kumar de Silva is a cocktail of chapters, bursting at their seams with pithy asides, a trail of faux pas, and tit-bits from behind the scenes, marinated with anecdotes and drizzled with nostalgia, revealing everything you never saw on your favourite television show… from the ‘80s through the ‘90s into 2000.
